Selected Projects Lewis Silkin
Lewis Silkin
London, UK
Artiq’s art rental collection for Lewis Silkin
brings social mobility and creative dialogue
to the forefront of the workplace.
brings social mobility and creative dialogue
to the forefront of the workplace.
Artiq’s art rental collection for Lewis Silkin brings social mobility and creative dialogue to the forefront of the workplace.
Lewis Silkin is a leading law firm with longstanding ties to the creative industries and a clear commitment to building a fairer, more sustainable society. Artiq’s art rental collection builds on this collaborative ethos, placing creativity, identity, and people at its centre. Together, the works create a visual narrative shaped by innovation, inclusivity, and social mobility.
Each artwork has been carefully selected to reflect the firm’s bold, dynamic, and confident culture, while responding thoughtfully to the architecture and flow of the office. Installed throughout the open-plan reception, the collection brings together 2D and 3D works to create moments of surprise and conversation that interact meaningfully with their environment and audience.
At its core, the collection is rooted in a commitment to social mobility, platforming a range of voices and practices that reflect the plurality of today’s professional world. Through this considered integration of contemporary art, Lewis Silkin continues to define itself not only as a legal powerhouse, but as a cultural advocate, where legal minds meet creative voices in a genuinely meaningful way.
Featured in Lewis Silkin’s art rental collection, Lithuanian visual artist Dovile Grigaliunaite creates flowing works that explore human dynamics and the shifting boundaries between beings.
Working with glassblowing and found materials, her practice is driven by an experimental approach to form and texture. Each piece reflects a deep curiosity about how materials move, resist, adapt, and respond, mirroring the complexities of human interaction.
Working with glassblowing and found materials, her practice is driven by an experimental approach to form and texture. Each piece reflects a deep curiosity about how materials move, resist, adapt, and respond, mirroring the complexities of human interaction.
‘I’m not trying to dominate the process—I set up a framework. I’m most interested in the dialogue between intention and transformation.’
Dovile Grigaliunaite
