article Artiq Annual
Volume 2
Artiq Annual
Volume 2
The second volume of our in-house
publication is hot off the press.
publication is hot off the press.
The second volume of our in-house
publication is hot off the press.
We're thrilled to present Volume 2 of Artiq Annual! This journal is a testament to the power of creativity and spotlights individuals and businesses that, like us, are creating impact with culture.
For the past (almost) 15 years, Artiq's mission has been to showcase the intrinsic value of creative work and how it builds the foundation for both the economy and society at large. Our strategy has focused on intersectoral partnerships, putting the power of contemporary art to play outside traditional exhibition spaces. The aim has always been to reshape the narrative of creativity in a way that resonates across industries and, in so doing, open up new funding routes to the arts, paving the way for a more resilient and sustainable sector.
The relationship between art and corporate patronage, particularly in the wake of years marked by funding cuts, is an indispensable lifeline for our industry. Yes, arts organisations need to be cautious about who they work with, but with over-cautiousness comes the risk of missing out entirely.
When done with shared values and intent, the potential is boundless. This is illustrated by a closer look at Aviva Studios, home of Factory International. The recipient of the largest investment in the arts by the private sector ever seen in Britain, Manchester's new flagship cultural destination is already a shining example of corporate sponsorship done right. We also speak to Grosvenor's Lucy Puddle about the importance of inclusive design and creative partnerships in real estate and explore how businesses can harness the value of art beyond notions of ownership.
We also explore new models and ideals around funding. Artiq itself, of course, offers one solution, but getting society to value creativity more requires tackling on all fronts: Fatoş Üstek tells us about her fight for artists' fair pay and practice; Amanda Parker re-imagines a 21st century approach to funding and Phineas Harper examines art that goes against the grain of capitalism and commodification (and what we can all learn from it).
2024 will be the biggest election year in history. For the UK, our next government has a major opportunity to recognise as part of its legacy the importance of creative education, the value of creative careers, and the vital role creativity plays in defining generations, driving innovation, and inspiring change.
So, from the studios of four recent graduates and glorious interiors to harnessing AI as a collaborator and exploring the psychology of the creative mind, we hope this journal demonstrates that creativity can be visual art and storytelling; it is also progress and growth.
Click here to read the full issue.
Patrick McCrae, co-founder and CEO at Artiq
For the past (almost) 15 years, Artiq's mission has been to showcase the intrinsic value of creative work and how it builds the foundation for both the economy and society at large. Our strategy has focused on intersectoral partnerships, putting the power of contemporary art to play outside traditional exhibition spaces. The aim has always been to reshape the narrative of creativity in a way that resonates across industries and, in so doing, open up new funding routes to the arts, paving the way for a more resilient and sustainable sector.
The relationship between art and corporate patronage, particularly in the wake of years marked by funding cuts, is an indispensable lifeline for our industry. Yes, arts organisations need to be cautious about who they work with, but with over-cautiousness comes the risk of missing out entirely.
When done with shared values and intent, the potential is boundless. This is illustrated by a closer look at Aviva Studios, home of Factory International. The recipient of the largest investment in the arts by the private sector ever seen in Britain, Manchester's new flagship cultural destination is already a shining example of corporate sponsorship done right. We also speak to Grosvenor's Lucy Puddle about the importance of inclusive design and creative partnerships in real estate and explore how businesses can harness the value of art beyond notions of ownership.
We also explore new models and ideals around funding. Artiq itself, of course, offers one solution, but getting society to value creativity more requires tackling on all fronts: Fatoş Üstek tells us about her fight for artists' fair pay and practice; Amanda Parker re-imagines a 21st century approach to funding and Phineas Harper examines art that goes against the grain of capitalism and commodification (and what we can all learn from it).
2024 will be the biggest election year in history. For the UK, our next government has a major opportunity to recognise as part of its legacy the importance of creative education, the value of creative careers, and the vital role creativity plays in defining generations, driving innovation, and inspiring change.
So, from the studios of four recent graduates and glorious interiors to harnessing AI as a collaborator and exploring the psychology of the creative mind, we hope this journal demonstrates that creativity can be visual art and storytelling; it is also progress and growth.
Click here to read the full issue.
Patrick McCrae, co-founder and CEO at Artiq