Journal
In conversation with Euan Evans about the serendipity of objects and the big impact of small stories.
In conversation with Euan Evans about the serendipity of objects and the big impact of small stories.
Want to invest in art? Our reasons for why all businesses should invest in rotating art collections.
Want to invest in art? Our reasons for why all businesses should invest in rotating art collections.
We couldn't be more thrilled to see our journal stocked in our favourite local magazine shop.
We couldn't be more thrilled to see our journal stocked in our favourite local magazine shop.
For Volume 2 of the Artiq Annual, our Marketing Executive Riki Auton profiles four rising stars from masters' programmes across London.
For Volume 2 of the Artiq Annual, our Marketing Executive Riki Auton profiles four rising stars from masters' programmes across London.
In conversation with Freya Fang Wang about Taoism, materialism and her advice for new graduates.
In conversation with Freya Fang Wang about Taoism, materialism and her advice for new graduates.
On a wet Thursday evening at the end of February, we celebrated the release of Artiq Annual Volume 2, hot off the presses
On a wet Thursday evening at the end of February, we celebrated the release of Artiq Annual Volume 2, hot off the presses
Phineas Harper looks at art that prioritise personal and planetary well-being over GDP.
Phineas Harper looks at art that prioritise personal and planetary well-being over GDP.
Fatoş Üstek speaks to Patrick McCrae about the necessity for change in the arts and what we must do collectively to get there.
Fatoş Üstek speaks to Patrick McCrae about the necessity for change in the arts and what we must do collectively to get there.
The second volume of our in-house publication is hot off the press.
The second volume of our in-house publication is hot off the press.
In conversation with Justine Johnson about natural light, ancient dyes and how making is like a long walk in the woods.
In conversation with Justine Johnson about natural light, ancient dyes and how making is like a long walk in the woods.
